ISSN 2380-2065
Vol. 1, Issue 1, 2016October 28, 2016 EDT
Does Julio Swing?: Writing on Jazz and Jazz Writing in Cortázar’s “El perseguidor”
Does Julio Swing?: Writing on Jazz and Jazz Writing in Cortázar’s “El perseguidor”
Articles in Vol. 1, Issue 1, 2016
Vol. 1, Issue 1, 2016
- Does Julio Swing?: Writing on Jazz and Jazz Writing in Cortázar’s “El perseguidor”Mark Couture
- Robo Sacer: “Bare Life” and Cyborg Labor Beyond the Border in Alex Rivera’s Sleep DealerDavid Dalton
- Travel, space, and the landscape of the nation in El BuscónTania De Miguel Magro
- Literary Obstinacy: Violence and the Literary in Cristina Rivera Garza’s La muerte me da (2008)Sergio Gutiérrez Negrón
- De las barricadas a las fábricas: uso instrumental de la mujer y profundización de los roles de género en la iconografía de las izquierdas de la Guerra Civil Española/ From the Barricades to the Factories: Instrumental Use of Women and the Deepening of Gender Roles in the Left-Wing Iconography of the Spanish Civil WarAlba Marcé García
- Textual Confrontation in Cajamarca in Pablo Neruda’s Canto general and Jorge EnriqueJason Pettigrew
- Fe de vida de Dulce María Loynaz: huidizo retrato de un unívoco yo/Fe de vida by Dulce María Loynaz: A Shifting Depiction of a Unified SelfMaría A. Salgado
Couture, Mark. “Does Julio Swing?: Writing on Jazz and Jazz Writing in Cortázar’s ‘El Perseguidor.’” Hispanic Studies Review, vol. 1, no. 1, Oct. 2016, pp. 1–14.
