ISSN 2380-2065
Vol. 1, Issue 1, 2016October 28, 2016 EDT
Textual Confrontation in Cajamarca in Pablo Neruda’s Canto general and Jorge Enrique
Textual Confrontation in Cajamarca in Pablo Neruda’s Canto general and Jorge Enrique
Articles in Vol. 1, Issue 1, 2016
Vol. 1, Issue 1, 2016
- Does Julio Swing?: Writing on Jazz and Jazz Writing in Cortázar’s “El perseguidor”Mark Couture
- Robo Sacer: “Bare Life” and Cyborg Labor Beyond the Border in Alex Rivera’s Sleep DealerDavid Dalton
- Travel, space, and the landscape of the nation in El BuscónTania De Miguel Magro
- Literary Obstinacy: Violence and the Literary in Cristina Rivera Garza’s La muerte me da (2008)Sergio Gutiérrez Negrón
- De las barricadas a las fábricas: uso instrumental de la mujer y profundización de los roles de género en la iconografía de las izquierdas de la Guerra Civil Española/ From the Barricades to the Factories: Instrumental Use of Women and the Deepening of Gender Roles in the Left-Wing Iconography of the Spanish Civil WarAlba Marcé García
- Textual Confrontation in Cajamarca in Pablo Neruda’s Canto general and Jorge EnriqueJason Pettigrew
- Fe de vida de Dulce María Loynaz: huidizo retrato de un unívoco yo/Fe de vida by Dulce María Loynaz: A Shifting Depiction of a Unified SelfMaría A. Salgado
Pettigrew, Jason. “Textual Confrontation in Cajamarca in Pablo Neruda’s Canto General and Jorge Enrique.” Hispanic Studies Review, vol. 1, no. 1, Oct. 2016, pp. 74–89.