ISSN 2380-2065
Vol. 3, Issue 1, 2018April 27, 2018 EDT
The Performance of Illness in Cristina Rivera Garza’s Nadie me verá llorar
The Performance of Illness in Cristina Rivera Garza’s Nadie me verá llorar
Articles in Vol. 3, Issue 1, 2018
Vol. 3, Issue 1, 2018
- Undecidability in Lorca’s Amor de don Perlimplín con Belisa en su jardínAndrew Anderson
- Cuba y Cataluña en la España de Franco: las crónicas de viaje de Josep Pla para Destino / Cuba and Catalonia in Franco’s Spain: Josep Pla’s Travel Chronicles for DestinoPilar Bellver
- The Performance of Illness in Cristina Rivera Garza’s Nadie me verá llorarSarah Booker
- Performing Transnational Maya Experiences in Florida and San Juan Chamula in Workers in the Other World by Sna Jtz’ibajom and Robert M. LaughlinTiffany D. Creegan Miller
- Visual/Geo-Spatial Knowledge and the Digital Library: On the “Mutaciones” Section of Agustín Fernández Mallo’s El hacedor (de Borges), Remake (2011)Benjamin Fraser
- From Policy to Practice: University Instructors’ Implementation of Spanish Language ReformsRonald FuentesInmaculada Gómez Soler
- The Development of a Regional Morphosyntactic Feature by Learners of Spanish in a Study Abroad Setting: The Case of VosotrosAngela George
- Obligation markers in Mexican Spanish: competing forms in a changing systemKatherine Honea
- Aspects of Social Justice Ally Work in Chilean Historical Fiction: The Case of the Pacification of AraucaníaKatherine Karr-Cornejo
- Female Voice and the Pharmakos: Marcela’s Poisonous Cure in Cervantes’s Intercalated Pastoral StoryBrian M. Phillips
- Monstruos en la encrucijada de la crisis. Balada triste de trompeta y su “resistencia monstruosa.” / Monsters at the Crossroads of Crisis. The Last Circus and its “Monstrous Resistance.”Roberto Robles Valencia
- Fortuna primera de H. G. Wells en España y los avatares de la ciencia ficción (1895-1909) / The Early Reception of H. G. Wells in Spain and the Evolution of Science Fiction (1895–1909)Juan Herrero Senés
- The Spaces of Martín MarcoAdam L. Winkel
Booker, Sarah. “The Performance of Illness in Cristina Rivera Garza’s Nadie Me Verá Llorar.” Hispanic Studies Review, vol. 3, no. 1, Apr. 2018, pp. 30–45.