ISSN 2380-2065
Vol. 3, Issue 1, 2018April 27, 2018 EDT
Visual/Geo-Spatial Knowledge and the Digital Library: On the “Mutaciones” Section of Agustín Fernández Mallo’s El hacedor (de Borges), Remake (2011)
Visual/Geo-Spatial Knowledge and the Digital Library: On the “Mutaciones” Section of Agustín Fernández Mallo’s El hacedor (de Borges), Remake (2011)
Articles in Vol. 3, Issue 1, 2018
Vol. 3, Issue 1, 2018
- Undecidability in Lorca’s Amor de don Perlimplín con Belisa en su jardínAndrew Anderson
- Cuba y Cataluña en la España de Franco: las crónicas de viaje de Josep Pla para Destino / Cuba and Catalonia in Franco’s Spain: Josep Pla’s Travel Chronicles for DestinoPilar Bellver
- The Performance of Illness in Cristina Rivera Garza’s Nadie me verá llorarSarah Booker
- Performing Transnational Maya Experiences in Florida and San Juan Chamula in Workers in the Other World by Sna Jtz’ibajom and Robert M. LaughlinTiffany D. Creegan Miller
- Visual/Geo-Spatial Knowledge and the Digital Library: On the “Mutaciones” Section of Agustín Fernández Mallo’s El hacedor (de Borges), Remake (2011)Benjamin Fraser
- From Policy to Practice: University Instructors’ Implementation of Spanish Language ReformsRonald FuentesInmaculada Gómez Soler
- The Development of a Regional Morphosyntactic Feature by Learners of Spanish in a Study Abroad Setting: The Case of VosotrosAngela George
- Obligation markers in Mexican Spanish: competing forms in a changing systemKatherine Honea
- Aspects of Social Justice Ally Work in Chilean Historical Fiction: The Case of the Pacification of AraucaníaKatherine Karr-Cornejo
- Female Voice and the Pharmakos: Marcela’s Poisonous Cure in Cervantes’s Intercalated Pastoral StoryBrian M. Phillips
- Monstruos en la encrucijada de la crisis. Balada triste de trompeta y su “resistencia monstruosa.” / Monsters at the Crossroads of Crisis. The Last Circus and its “Monstrous Resistance.”Roberto Robles Valencia
- Fortuna primera de H. G. Wells en España y los avatares de la ciencia ficción (1895-1909) / The Early Reception of H. G. Wells in Spain and the Evolution of Science Fiction (1895–1909)Juan Herrero Senés
- The Spaces of Martín MarcoAdam L. Winkel
Fraser, Benjamin. “Visual/Geo-Spatial Knowledge and the Digital Library: On the ‘Mutaciones’ Section of Agustín Fernández Mallo’s El Hacedor (de Borges), Remake (2011).” Hispanic Studies Review, vol. 3, no. 1, Apr. 2018, pp. 63–77.